A very interesting piece by the composer Pascual Marquina Narro.

The pieces really creates that “spanish” sound, and it does so by using the andalusian cadence in different variations. In the beginning it uses e as an pedal point, to layer a different harmony on top of it. This technique and also this exact harmony is also used by Rachmaninoff in his famous prelude in g minor in the middle section.

Espana Cani by steven sch├╝rstedt